Boycott the Academy Awards? I do it every year.
Generally, I don’t comment on cultural issues unless they run tangent to my law enforcement or libertarian topics. Since libertarianism involves individualism and not group-think, I believe the Oscars boycott initiated by Jada Pinkett Smith, of whom I am a fan, and Spike Lee, of whom I am, not so much, trips the wire.
Upset a good movie didn’t get nominated. Join the club.
Apparently, they are upset that there aren’t more black artists nominated for Academy Awards. I don’t think it’s a stretch to infer that Mrs. Smith feels a personal affront that her husband, Will Smith (one of my favorite actors) was not nominated for his performance in the movie Concussion. I haven’t seen it, yet, but, because Will Smith is in it, I will see it.
At first glance, it appears they might have a point. From what I understand, the vast majority of the “Academy” is white and male. Now, does this automatically make them racist? Of course not. In fact, the accusation is quite insulting. However, it can make one wonder, legitimately, about certain types of “diversity” in Hollywood. However, another category the white-male “Academy” fits into, based on its voting track record, is liberal, progressive—essentially—politically left. If Smith and Lee don’t think blacks get a fair shake in Hollywood, try being politically conservative. It’s rare for conservative people to be nominated for, never mind win, Academy Awards they should have been considered for.
Maybe you just suck.
The problem I see is the dominant liberal media and educational culture that teaches minorities to presume that whenever they fail, it is, ALWAYS, because of their minority status. Someone gives you bad service, it’s because you’re gay, you don’t get that job, it’s because you’re Hispanic, you don’t get that promotion, it’s because you’re a woman, or you don’t get that Academy Award—well, it must be because you’re black.
Did they really deserve it?
So, what happens if the boycotters get their way, and the Academy becomes more diverse—racially, anyway? Will we look at future black winners and wonder how or why they were chosen? All of the nominees will be good actors, but were the winners the best or did their race push them over the finish line? It is likely that, from now on, minority winners will be looked upon as if there is an asterisk after their names–even by other minorities or themselves.